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Captain America: The Captain (Captain America (1968-1996)), by Mark Gruenwald
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Collects Captain America (1968) #332-350, Iron Man (1968) #228.
When Steve Rogers refuses to become a government operative, he is stripped of his uniform, title and shield, and a new Captain America is born! John Walker, the former Superpatriot and future USAgent-along with sidekick Bucky, the future Battle Star-does his best to fill the big shoes Rogers left behind.
- Sales Rank: #943030 in eBooks
- Released on: 2015-08-13
- Format: Kindle eBook
Most helpful customer reviews
11 of 12 people found the following review helpful.
mom, apple pie, and... John Walker???
By H. Bala
Brubaker has done big things with Captain America, as have Stan Lee and Roger Stern. But you cannot kick Mark Gruenwald to the curb. Gruenwald boasts one of the best runs ever with the Captain America title, having written the series for ten consecutive years. And maybe his most memorable arc concerns the one collected in this mammoth trade (kid you not, this book is over 500 pages long and in color). CAPTAIN AMERICA: THE CAPTAIN collects CAPTAIN AMERICA #332-350 and IRON MAN #228, written by Gruenwald and drawn with power by Tom Morgan and Kieron Dwyer. With the recent live-action movie and the upcoming AVENGERS flick, I wouldn't be surprised if this one becomes a hot item.
This epic arc ran from 1987 to 1989, and illustrates why, ultimately and with mad respect to Bucky-Cap, no one but Steve Rogers can hold down this iconic identity. But even a good soldier can't stay eternally steadfast, at least not this good soldier. Back in the '70s Steve Rogers grew disillusioned with his government and assumed his Nomad alter ego. During his classic extended run, Gruenwald explored themes closely linked to Captain America: the nature of patriotism, man as a living icon, Steve Rogers' idealism versus society's ever-growing cynicism. All these elements come into play in this historic arc, which finds Steve Rogers faced with the choices of either having his actions dictated by the government or relinquishing his Captain America persona, which is owned by the federal government. Except that Rogers believes that Captain America best serves America by operating independently rather than blindly following the directives of some appointed Commission for Superhuman Activities. Steve Rogers, good little soldier, quits.
The Commission taps John Walker - a.k.a. Super-Patriot - to replace Rogers. Walker's patriotism is beyond reproach and he had recently fought Cap to a standstill. And he brings with him his giant sidekick "Bucky" (who would quickly change his code name to Battle Star). And I love the little touches that Gruenwald throws in, such as Walker's requiring months of training to master the shield and a suddenly rudderless (but beard-resplendent) Steve Rogers wandering the country for months, seeking clarity and purpose. And from jump we note ominous signposts concerning John Walker. Observe his gradual cracking under pressure, his eventual sinking to insanity. Living up to the legend ain't as easy as advertised. There's more to it than just being able to hand out a beatdown.
As the new Cap and Bucky attempt to corral the likes of the Watchdogs (a militant censorship group) and the Secret Empire's Professor Power and his robot minions, Steve Rogers adopts a new crimefighting identity, his costume still flag-themed but now a more somber black, red, and white. Joined by three of his former sidekicks - Nomad, the Falcon, and D-Man - Rogers, now simply calling himself "the Captain," finds himself taking on one of the Horsemen of the Apocalypse, the Serpent Society, and even his buddy Iron Man. This was around when Stark was obsessed with going after all the tech that Justin Hammer had stolen from him. When Iron Man attacks the Guardsmen, he finds the Captain standing in the way. Cue the fighty fight and the fracturing of a friendship. And to date this era, the Captain later faces off against a reptilian President Reagan.
There's an epic sweep to this arc, partly because it took two years in the telling. Mark Gruenwald's mastery of plot and character development made this an entirely engrossing read. And he was able to lay out why Steve Rogers is such a righteous, commanding figure. It's a bit of a shame that D-Man nowadays is perceived as such a pathetic (and homeless) fringe hero, when Gruenwald wrote him as such a likable, dignified character (and wealthy off his lucrative wrestling circuit days). Nomad, though, Gruenwald wrote him as a brash, condescending tool. This is also when Diamondback of the Serpent Society was introduced as Steve Rogers' potential new romantic interest.
This trade also reprints the 10-paged back-up story, "Resurrection," from issue #350, written by Gruenwald and drawn by John Byrne. It recounts the Red Skull's rebirth, origin and past escapades - including his many throwdowns with Cap - all the way up to this trade's story arc.
9 of 10 people found the following review helpful.
Gruenwald will forever be missed.
By Dan
I can only add my praises to this excellent run of Captain America comics. Simon, Lee, Kirby, yes, those guys were the veteran mainstays, and they will always be recognized as establishing one of comics greatest icons, but Mark Gruenwald's 100+ issues on Cap will always stand out as uncomparable excellence in taking Cap in the directions he always needed to go.
Gruenwald, in ways subtle and unsubtle, put forth ideas and issues that Cap, being a character designed to embody all the best in America, needed to address and ponder. From unbridled and sometimes dangerous patriotism, corrupt and dishonest political heads, to unionized socialist groups and even outmoded gender roles -- all this and more is represented in Gruenwald's run.
Yes, this is Cap at his best. And in this trade, Kieron Dwyer comes on the scene, proving his prowess in sequential art. No one does action scenes better than Dwyer (and his successor on Cap, Ron Lim, only add to the greatness of Gruenwald's classic run).
If you are a Cap fanatic as I am, you will not regret investing your time in any of Gruenwald's story arcs. They are a pure delight.
5 of 6 people found the following review helpful.
Mammoth collection of Cap's days in voluntary retirement
By G. Steirer
Captain America: The Captain collects issues #332-350 of Captain America and issue #228 of Iron Man, all originally published between 1987 and 1989. Production-quality is decent with thin, low-gloss paper, bright colors, and a flexible spin. There are no extras, however, save a single house ad from 1987.
Story-wise, The Captain's 500-plus pages offer a fun and exciting--if fairly unsubtle--tale in which a President-appointed commission hands the mantle of Captain America to the former Super-Patriot after Steve Rogers refuses to follow the Commission's orders. Mark Gruenwald's innovative plot proceeds along two threads: one in which Rogers, with the help of Nomad, The Falcon, D-Man, and Diamondback, attempts to rediscover his purpose after retiring; the other in which the new Captain America, assisted by a new Bucky, struggles to overcome his own aggressive nature and uphold the principles of the previous Captain. Along the way there's an encounter with a treasonous Iron Man, a nefarious plot by the Serpent Society that sees Ronald Reagan transformed into a reptile, and a group of angry mutants fighting the government over the Mutant Registration act. An earlier reviewer rightly noted the similarities between The Captain and Batman's Knightfall (published half a decade later by DC); fans of the latter, however, will find The Captain to be a much simpler tale, which--unlike Knightfall--requires little familiarity with the title character's history.
Tom Morgan's pencils, provided primarily for the book's first half and done in a classic superhero style (with occasional hints of Kirby), are excellent. This reviewer is less partial to Kieron Dwyer's pencils for the book's second half, which sometimes appear hastily done (and are reminiscent of Marvel's second-tier pencils in the early 90s), but they are certainly not bad. Dave Hunt also does great work as inker for Morgan, while Al Milgrom provides decent inks for Dwyer.
Though not always the most carefully plotted story, The Captain makes a great read and deserves to be picked up by any Captain America or Marvel Comics fan. Don't worry about the high cover price--this is a mammoth graphic novel that will provide even the quickest reader with hours of entertainment.
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