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The untold story of how the First World War shaped the lives, faith, and writings of J. R. R. Tolkien and C. S. Lewis.
The First World War laid waste to a continent and permanently altered the political and religious landscape of the West. For a generation of men and women, it brought the end of innocence - and the end of faith. Yet for J. R. R. Tolkien and C. S. Lewis, the Great War deepened their spiritual quest. Both men served as soldiers on the Western Front, survived the trenches, and used the experience of that conflict to ignite their Christian imagination. Had there been no Great War, there would have been no Hobbits, no Lord of the Rings, no Narnia, and perhaps no conversion to Christianity by C. S. Lewis.
Unlike a generation of young writers who lost faith in the God of the Bible, Tolkien and Lewis produced epic stories infused with the themes of guilt and grace, sorrow and consolation. Giving an unabashedly Christian vision of hope in a world tortured by doubt and disillusionment, the two writers created works that changed the course of literature and shaped the faith of millions. This is the first book to explore their work in light of the spiritual crisis sparked by the conflict.
- Sales Rank: #27468 in Audible
- Published on: 2015-07-31
- Format: Unabridged
- Original language: English
- Running time: 398 minutes
Most helpful customer reviews
135 of 138 people found the following review helpful.
Excellent introduction to an often overlooked part of Tolkien and Lewis's lives
By Jordan M. Poss
For a certain group, JRR Tolkien and CS Lewis are such a part of the literary, imaginative, and spiritual landscape that their insights are taken for granted. The timeless qualities of their work have divorced it from any consideration of the time in which the two men lived and wrote. Familiarity has bred contempt. What Joseph Loconte attempts in A Hobbit, a Wardrobe, and a Great War is to place Tolkien and Lewis firmly back into their historical context, to throw their work into relief by looking at the world in which they wrote. Central to all of this is the war.
The two men, who became fast friends as professors at Oxford, would seem to have had little in common. Lewis was an Irishman of Ulster Protestant extraction and, by the time he went to war, a confirmed atheist. Tolkien was a devout cradle Catholic reared in England. For both men, the experience that most shaped them was the war.
Loconte begins the book by examining the world into which they were born and through which they approached the war. He gives time to explaining the Idea of Progress, the belief in the steady upward march of Europe’s scientific, enlightened culture, and its embodiment in social policies like eugenics. He looks into Freudian psychology and the marriage of the era’s Christianity to nationalism, a union that produced war fever and the demonization of the enemy. Scientific progress, the devaluation of human life, disregard for the soul and spirit, and the prostitution of religion to the nation combined to make World War I uniquely ferocious.
Into this war marched millions of young men, and Loconte by no means ignores the rest in his focus on Tolkien and Lewis. He draws examples of how these young men reacted from classic sources like Robert Graves, Wilfred Owen, Siegfried Sassoon, Ernst Jünger, and Erich Maria Remarque. Their testimonials demonstrate the way the war cruelly, almost mechanically, ground down the spirits of the men sent into its trenches.
Tolkien and Lewis both suffered. Tolkien served on the Somme, one of the notorious meat grinders of the war, and was eventually invalided out of the fight. Lewis arrived later and, despite distinguished service including the capture of a number of German prisoners, was also wounded and spent months in hospital, out of the action. This experience was, for both of them as for many others, a source of bonding after the war. References to it in their letters and papers are numerous; it formed part of a shared vocabulary that informed and gave body to their imaginations.
Loconte does an excellent job of demonstrating this by drawing on their writings, not just well-known works like The Hobbit or The Chronicles of Narnia, but their academic work, letters, and diaries. I have to admit that I was skeptical about some of this at first, as a few of the examples seemed to be little more than superficial comparisons of events in, for example, The Lord of the Rings to conditions on the Somme. But Loconte digs deep and provides explicit comparisons from the writers themselves. Tolkien is particularly forthcoming about the influence of the war on his fiction: “My ‘Sam Gamgee’ is indeed a reflection of the English soldier, of the privates and batmen I knew in the 1914 war, and recognized as so far superior to myself” (xvii). And again, “The Dead Marshes . . . owe something to Northern France after the Battle of the Somme” (74).
But beyond simply providing inspiration for specific scenes or landscapes in their work, the war gave Tolkien and Lewis thematic material, friendship, loss, and the desperate courage that makes up real heroism foremost among them. Both men lost friends in the war. Virtually the entirety of a prewar club to which Tolkien had belonged was killed off one by one in the fighting. Lewis saw an older sergeant, a man who had become “almost like a father” to the young officer, senselessly killed in what may have been a friendly fire incident. Like Tolkien, he lost many of his school friends and fellow officers as well: "Nearly all my friends in the Battalion are gone" (99-100).
It was well after the war in the quiet environs of Oxford that Tolkien and Lewis met and formed their famous friendship. Under the influence of Tolkien and others, Lewis--by now an agnostic--moved to a vague theism and finally Christianity. It was this friendship that made both men so productive and gave the world their still-beloved and timeless work.
Loconte’s book has two great strengths. First, it vividly depicts the reality of World War I combat in general and the actions in which Tolkien and Lewis were involved specifically. I’ve read a number of biographies of both men, and they tend to skimp on detail about their combat experience. (I assume this is because most of these bios were written by literary scholars; in addition to being a fan of Tolkien and Lewis, I’m a military historian, so this book scratched an itch I’ve been feeling for a while.) Like the rest of their generation, Tolkien and Lewis were shaped in profound ways by the horror of the war, and Loconte does an excellent job of showing that.
Second, the focus in the early portions of the book on the world before the war, and the comparison of Tolkien and Lewis’s experiences to those of others of their generation, makes their work fresh again. Loconte shows just how countercultural these familiar men really were, moving against the intellectual, social, and spiritual currents of their day--scientism, chronological snobbery, and the denial of goodness, heroism, and truth. Their works aren’t "relevant" or "timeless" because they appeal to a generic Christian audience, their work is timeless because they were men who looked outside their ruined generation for the eternal and did their best to reflect that back into the world through the imagination.
This, to me, is the central insight of Loconte’s book, and that alone makes it well worth reading. A Hobbit, a Wardrobe, and a Great War is an excellent introduction to an often overlooked aspect of the lives of two literary and intellectual giants and their place in history.
Highly recommended.
62 of 64 people found the following review helpful.
I found this a wonderful book not only because it is so well written ...
By Amazon Customer
I found this a wonderful book not only because it is so well written and documented, but because it taught me so many things about the present dilemas that we face.I had thought that the first WW drastically changed the culture of the West, but Mr. Loconte shows how the prevailing culture just before the War to end all wars was really responsible for the wilingness of nations to go to war Add to this the fact that Mr. Loconte demonstrates the beauty of the lives of Tolkien and Lewis and how they managed to share their ideals in the midst of the spiritual poverty after WWI and I have to say how impressed I am by this book. Mr. Loconte writes:
Tolkien and Lewis were attracted to the genres of myth and romance not because they sought to escape the world but because for them the real world had a mythic and heroic quality…In an era that exalted cynicism and irony, Tolkien and Lewis sought to reclaim and older tradition of the epic hero. Their depiction of the struggles of Middle-earth and Narnia do not represent a flight from reality, but rather a return to a more realistic view of the world as we actually find it.'
This is his evaluation of the character of these two friends and I believe him to be right.
I am a great fan of Tolkien and Lewis but I believe that this is a book well worth reading for anyone who enjoys history.
60 of 68 people found the following review helpful.
As Bilbo Would Say, "Like Butter Scraped Over Too Much Bread"
By Kevin M. Derby
There are some books that simply disappoint due to over-inflated expectations. While not a bad book, I am forced to place “A Hobbit, a Wardrobe and a Great War” by Joseph Loconte in that group and it ranks as one of the more underwhelming books I stumbled across in 2015. Readers who are new to C.S. Lewis and J.R.R. Tolkien might appreciate this book’s strengths--and there are some--but more experienced readers will want to look elsewhere.
Loconte has crafted an excellent article that frankly was stretched too thin as a book. Bilbo's words ring true of this book. "I feel thin, sort of stretched, like butter scraped over too much bread."
The first third of the core of the book offers an overwhelming and sweeping look at European society before World War One in which Loconte tries to offer some background to Lewis, Tolkien and their created worlds. Loconte rarely relies on primary sources and too often simply quotes a far better known scholar (Barbara Tuchman, check; John Keegan, check; Niall Ferguson, check) before heading on to the next subject. After hitting readers over the head with his take on Darwinism and eugenics, Loconte then turns to religion and the war. How churches in England encouraged men to take up arms could certainly be relevant to a book on Lewis and Tolkien. But then Loconte takes the reader on how churches in America and Germany saw God’s hand in the war and even offers his take on how Germany was portrayed after its invasion of neutral Belgium. All of this would be fine in a look at the war as a whole but has nothing to do with the matter at hand: namely how World War One shaped the creation of Middle Earth and Narnia.
This breakneck pace and reliance on generalizations offer the reader more than a few pauses. Loconte confuses Sauron and Saruman at one point in the book. While Loconte writes from a conservative Christian perspective, his take on Alexander Solzhenitsyn’s “Red Wheel” is far more in line with that Russian author’s leftist critics than what his defenders on the right maintain. Loconte even insists World War One ended the European order set up by the Treaty of Westphalia in 1648 (sorry French Revolution, Napoleon and Congress of Vienna!). The generalizations can often annoy. Francis Galton is simply dismissed as “Darwin’s cousin” without any real identification of why he was important. Winston Churchill is praised for fighting in the war but honestly his biggest role in World War One was his Cabinet post, including planning and pushing the disastrous Gallipoli campaign. The first third of the core of the book bogs down in these problems as Loconte keeps his actual subjects mostly off the stage while offering his take on Norman Angell’s “Great Illusion” and other topics.
By the time Loconte begins the third of his sixth chapters, readers are ready to focus Tolkien. When Loconte actually turns to his subject, he is excellent--but those nuggets are lost as the author mulls over British casualties at Jutland and how the French viewed heavy losses at Verdun. Loconte tries to get into Tolkien’s head, perhaps a bit too much at times, but at least stays in bounds. Loconte then rushes ahead with his take on how Tolkien’s experiences on the Western Front may have shaped hobbits and Mordor. While Loconte is insightful here, readers can be pardoned if they expect the actual subject to show up before they are around halfway though the book.
Loconte is far better with his take on Lewis and this chapter stands out. Painting an interesting picture of Lewis’ academic career during the war and his service on the front, Loconte finds some redemption even as he pretty much regurgitates other authors on how the war helped Lewis find God. There are some sprints of course--Mrs. Moore was a far larger presence in Lewis’ life than Loconte’s brief mention--but generally this is a solid look at how World War One shaped him.
Contrasting Lewis and Tolkien with other writers who were disillusioned by the war, Loconte also shines though, again, he often seems more concerned with greater events than his actual subjects. Lewis and Tolkien aren’t exactly obscure and there have been plenty of books written about both which Loconte could have drawn on. Instead, readers are subjected to the numbers of casualties, Woodrow Wilson’s failure in Paris, too many quotes from secondary sources, an account of the influenza epidemic, the rise of the Soviet Union and Mussolini’s regime in Italy, Freud rising to prominence, I can go on here. At least Loconte ends with a decent take on how Lewis and Tolkien stood against their times and closed with a touching account of his grandfather’s service in the war--though, like too much of this book, I was left wondering what this had to do with the subject at hand.
Loconte’s book is classified by Amazon as a religious book and that’s more than fair as his faith is never far from the surface of this book. The book is immensely readable and Loconte should be commended for his style. There are some valuable nuggets in this book but Loconte too often simply repeats what other writers have to say or goes off into the weeds, often telling too much about the war in general and its impact on society than how it actually influenced Lewis, Tolkien and their fantastic worlds and stories. This would have been a fine article in plenty of journals and magazines. There might have been enough here for a book had Loconte dug into the primary sources. Instead Loconte relied on offering generalities and sweeping glances. All of this has been touched on in far better books than this one. To his credit, Loconte seems to realize this though he often simply parrots much better writers or just quotes them. Readers would have been far better served had he actually let Lewis and Tolkien speak for themselves instead of going into the weeds on subjects that had noting to do with two of the most celebrated authors of the last century.
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